Showing posts with label Farieda Nazier. Show all posts
Showing posts with label Farieda Nazier. Show all posts

Saturday, April 18, 2015

2015

Research trip to the USA - March/April


The URL below, links to a Youtube video recorded at the The Sterling and Francine Clark Institute  on 9 April 2015. The presentation entitled After Math: An attempted analogy - What (post-race) America can learn from (post-apartheid) South Africa and vice versa, concluded a 10 day series of talks delivered at various host institutions including Principia College, Williams College and Massachusetts College of Liberal Arts.

CLICK HERE


CLICK HERE - YOU TUBE VIDEO


A very special thank you to my sponsoring institution University of Johannesburg FADA, Jewellery Design and Manufacture Department, and all the host institutions -  especially The Clark Institute, and Principia College. 

More links:
Clark Art Events

Link related to exhibition:
Four woundings and a sequal at Principia College

Johannesburg Pavilion at the Venice Biennale - May 


"#JP2015 is a Programme of Contemporary African Film and Performance Art that will stage an Intervention in the city during the 56th Venice Biennale 2015." Right of Admission will be one of the performative interventions featuring during the Bienalle. Refer to the links below for more information. For further reading follow the following links: 


Monday, March 3, 2014

Tension Torsion: 20 Years On Exhibition


Tension Torsion: 20 Years on

A group show curated by 
Farieda Nazier, with Gordon Froud, Avi Sooful and Oupa V Mokwena
20 March to 17 April 2014 
100 Juta Street, Braamfontein

The exhibition is a platform for the art works of a demographically diverse group of artists; Farieda Nazier, Gordon Froud, Avitha Sooful and Oupa V.Mokwena. Their comprehensive body of work considers the paradoxical readings of contentious socio-political themes as it unfolds within the vexed context of lived experiences over the last 20 years.

Nazier’s work 'Nag vannie lang latte', is a satirical take on the ironies and tensions that exist within the uhuru-mythology Nag van die lang messe. 'Bite the Bullet' by Sooful, is a ceramic installation of 19 larger-than-life spent bullet cartridges and 5 new bullets, which reflects the contested and violent legacies of the country.
Froud’s untitled art work, critiques the notions of tension and torsion in the controversial works of contemporary South African artists. Mokwena in his work entitled 'Our Gnomes', deconstructs the African Tokolosh mythology by positioning it within the domain of South African politics.

The intervention further engages in topical dialogue that resonates with the idea of Paulo Freire and Steve Bantu Biko’s praxis through a public educational programme. The themes for the public programme address criticality amongst South African youth that will be addressed in the Angry Youth Workshop supported by UJ CERT; running on 11 and 12 April 2014.

The project as a whole aims to raise important questions about the nation’s post-apartheid trajectory; in order to evoke critical dialogue in audiences around the discrimination-wounding-consequence theme. A broader objective of the project’s praxis element is to instill critical consciousness in marginalized and disenfranchised social groupings, contributing towards physical and mental liberation or decolonization.

Acknowledgements: